Burlesque, with its glitz, glamour, and performances, has captivated audiences for decades. It’s an art form that thrives on creativity, charisma, and a dash of daring. Even if our pay packet doesnt refleect how much time we put in. However, in the pursuit of standing out in a crowded market and making a profit, some performers may be tempted to rely on big props as their ticket to success. But let’s cut to the chase: big props are not the answer to making money in burlesque. Here’s why.
Saturated Market: First and foremost, the burlesque scene is already brimming with talent. From classic striptease to avant-garde performances, there’s no shortage of creativity in this industry. Adding a big prop to your act might make you momentarily stand out, but it’s not a sustainable strategy in the long run. Audiences crave innovation and originality, not just flashy gimmicks. Also when a big prop is popular, it means there are more performers with it… so less jobs. One person splashing about in perspex pot can be swapped out for another in some minds. (no I dont mean all obviously)
Low Wages: Let’s talk money. Despite the glamour associated with burlesque, the reality is that many performers struggle to make ends meet. Low wages are unfortunately all too common in this industry, especially for those starting out or working in smaller venues. Investing in elaborate props might seem like a wise move to command higher fees, but in reality, it often leads to diminishing returns. Your time and talent are worth more than the cost of hauling around oversized set pieces.
Transportation Hassles: Speaking of hauling, let’s not forget the logistical nightmare that comes with transporting big props. From oversized suitcases to renting vans, the logistics alone can eat into any potential earnings. Not to mention the wear and tear on your body from lugging heavy equipment from venue to venue. Trust me, your back will thank you for keeping it simple. Have you got the money for that bigger van that you’ll only use when transporting that item? Hell even storing it will cost.
Venue Limitations: Finding venues that can accommodate big props can be like searching for a needle in a haystack. Many burlesque venues are intimate spaces with limited stage size and technical capabilities. While some may have the space for grandiose props, it’s not guaranteed, and you might find yourself having to adapt your act on the fly or, worse, not being able to perform at all. Flexibility and adaptability are key in this industry, and relying on big props can severely limit your opportunities.
Now, don’t get me wrong. I’m not saying big props have no place in burlesque. When used sparingly and purposefully, they can add a unique flair to an act. However, pinning your hopes of success and financial stability solely on big props is a risky gamble. Instead, focus on honing your skills, cultivating your stage presence, and crafting memorable performances that leave audiences wanting more.
I have been in burlesque long enough to see many a big ass prop rise and fall in desire once it reached peak saturation:
- The decorated/ornate chair
- The decorated clam shell
- Ostrich boa/feather fans (a staple though)
- Big long tulle robes
- Paddling pools
- Martini glasses
Burlesque is about more than just flashy gimmicks; it’s about storytelling, empowerment, and celebrating individuality. So, ditch the big ass props, embrace your creativity, and let your talent shine. The spotlight is waiting, and with the right mindset, you can captivate audiences and command the stage without breaking your back or your bank account.
